In this assignment I was to make a word out of any liquid and document it with a photo. But I also wanted to focus on its changing nature; that is, that liquid never sits still and is inherently ever-changing. I chose to use water and document its change from single droplets to, when the table and the water become similar in temperature, something more blurred. When that happens the many droplets condense and the distinction of each letter is less pronounced.
These are two spreads for PRINT magazine I created. I focused on controlling line and color primarily in a sort of homage to Bauhaus and its clean sophisticated use of line for this layout.
The title is In Search of the Comprehensive Design Type Theory.
My alphabet is based on round, curvy shapes contrasting with straight, long lines to create a celestial vibe. This font could be used for regular text and/or headlines.
A modern/minimalist lower-case typeface created with lines, circles, and portions thereof. Size disparity in some letters was both intentional and necessary to maintain the aesthetic.
This alphabet was created using the modular elements of a solid black square and white circles. I experimented with these simple shapes to create letter forms in the most basic sense.